Fred Tomaselli (American, b. 1956), Red Star, 2002. Colored pencil and gouache on photogram, 35.2 x 26.7 cm.
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Fred Tomaselli (American, b. 1956), Car Bomb. photocollage, acrylic, resin on wood panel, 2008
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Al Boardman, Falling for Anything, 2016
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Al Boardman, A291, 2018
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The Drowning Room from Artstudio Reynolds on Vimeo.
The Drowning Room (An Underwater Soap Opera)
Reynold Reynolds and Patrick Jolley, The Drowning Room (An Underwater Soap Opera), 1999, 10min. video transferred from Super8
In Reynold Reynolds
and Patrick Jolley’s black-and-white film, The Drowning Room (An
Underwater Soap Opera), a seemingly ordinary family is observed as they go about their business in a house that is completely filled with
water. The family members, either refusing to notice this fact or simply
taking it in stride, continue their activities as best they can: consuming a dinner of fish, reading waterlogged newspapers
and petting their suspiciously still cat.
Engulfed by the water, the relationships between the members of the family, and secondarily, their relationship with the outside world, seems doomed to remain suspended on the state of asphyxiation and decay.
Viewed in retrospect and through the lens of most recent global events, the
family’s domestic isolation can be seen as a metaphor for political
isolationism and a willful disconnection from the events of the world
outside.
artstudioreynolds.com/
facebook.com/Artstudio.Reynolds
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John Harris, from the cover of Body Mortgage, acrylics on board, 1988, 19 x 28 inches
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Valerie Brennan, Early Bird, 2018
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ptrklos, Nireus. 2018
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ptrklos, Phanes., 2018
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Saskia Freeke, Geometric Animations / 181126, 2018
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Saskia Freeke, Geometric Animations / 181125, 2018
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Saskia Freeke, Geometric Animations / 181129, 2018
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Neuromancer
Inspired by William Gibson’s Neuromancer book cover design by Josan Gonzalez, Lightfarm’s CG
Artist Rafael Moco only used the 3D software
Blender and rendered it with Cycles. The textures were made using
the Substance Painter. Lightfarm’s Director Milton Menezes, photographed
himself as the Neuromancer and finished up the Post Production in
Photoshop.
“Cyberspace. A consensual hallucination experienced daily by billions of legitimate operators, in every nation.” ― William Gibson, Neuromancer
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The Dream of Ink
“The Dream of Ink” by Lightfarm Studios is the official opening video of UNHIDE Conference, the first event focused on Digital Art in Brazil, promoted by UNHIDE School.
In its original version, the video was entirely produced to be
displayed on a giant 180-degree screen used in the main auditorium of
the Conference.
>> Read more about the UNHIDE School and UNHIDE Conference
>> Check out all Lightfarm Projects
The Making of “The Dream of Ink”
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Blair Prentice
Having spent many years exploring painting and drawing, artist and creator of iheartmyart.com Blair Prentice, has recently been compelled to explore new work in three-dimensions. It was with clay that he found the surge of creative potential. The resulting ceramics are a collection of playful porcelain sculptural forms that have even have function. Some highlights include a High Top planter, tumbling cube vases and gravity defying figurines that delicately balance on their bases.
Blair will be selling his ceramics at Made in Clay 2018 at the Greenwich House Pottery in New York City, Saturday, December 1st, 2018 from 12-6 PM. 16 Jones St., NYC.
Follow Blair Prentice Studio on Instagram, @blairprenticestudio
Instagram | Website | Facebook
- Tumbling Cube with Gold Luster + Delicate Balance Figure with Gold Luster, 2018
- High Top, gold luster, porcelain ceramic, 2018
- Red, Blue + Clear Ombre, Black, White, Gold and Silver High Top ceramic planter collection, porcelain ceramic, 2018
- Delicate Balance, figurine in Spotted Shino + Byrd Matte glaze, 2018
- Fallen Angel planter, porcelain ceramic, 2018
- Tumbling Cube - Celadon drip glaze, porcelain ceramic
- Bol protégé, 2018, porcelain ceramic
- Delicate Balance figures - Don Reitz Green, Chinese White, Charlie D Black, 2018
- Blue Canopy, porcelain drinking glasses, 2018
- Fallen Angel vase, mother of pearl, porcelain ceramic, 2018
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