(via gingerbreadkaren)
How Do You Conserve Robert Smithson’s ‘Spiral Jetty’? - NYTimes.com
In 1972, a year before his death in a plane crash at 35, the artist Robert Smithson wrote, “I am for an art that takes into account the direct effect of the elements as they exist from day to day.” And with the creation of his greatest work — “Spiral Jetty,” the huge counterclockwise curlicue of black basalt rock that juts into the Great Salt Lake in rural Utah — he certainly put that conviction to the test.
As part of a conservation effort, the Dia Art Foundation is working to systematically document Robert Smithson’s “Spiral Jetty” over time.
A selection of art that appeared in the Opinion section in 2009.
Examine Netflix rental patterns, neighborhood by neighborhood, in a dozen cities. Some titles with distinct patterns are Mad Men, Obsessed and Last Chance Harvey.
‘Skin Fruit’ review - The New York Times
Roberta Smith writes in her review of the Jeff Koons’ curated exhibition: “The New Museum’s exhibition of artworks from the collection of Dakis Joannou, one of its trustees, has arrived. The project did not sound like a good idea when it was announced last fall. Seeing it up close does not change that.”
Ouch.
Image: Urs Fische’s “Noodles.”