Ephemeral sculpture titled “Waste Man” by Antony Gormley.
The body shaped sculpture was constructed from household waste in the summer of 2006. Over 30 tons of 30 tonnes of objects that were trashed were used to create the piece. Construction took six weeks and the piece burned in 30 minutes.
Gormley’s aim was to transform/reuse, “the limiting baggage of the householder’ into energy.
Of course, there’s happiness and then there’s happiness. Most of us hold in high esteem the hedonic variety of happiness: experiences of pleasure and, often, amassing material goods and wealth. But there’s another kind, called eudaimonia, that rests on the realization of personal goals and potential. The ideal runs in a ragged line from Aristotle to Maslow to Sartre, paralleling Buddhism somewhere along the way. Buddhism asserts that lasting happiness is your birthright. But it doesn’t come from having; it comes from freeing ourselves of mental blindness and afflictive emotions.
It is strange that surrealism which was one of the most avant-guard and experimental movements had a strong undercurrent of homophobia that tore through its ranks. While the group had an openly gay member, René Crevel, this did not influence the views of other members, and most pointedly the main founder of surrealism, André Breton. Breton was unabashedly homophobic and openly condemned it. Upon review of many of the surrealists works, it is clear that their revolutionary tone has a compulsive tendency towards heterosexuality and reiterated conventions of male domination and sexual domination.
Surrealists adamantly documented all of their discussions and their homophobia is superbly documented accordingly.
On January 27, 1928 they met in Paris for the first session of the “Researches sur la Sexualite”. The tone of the gathering resembled , “those excited gatherings of public-schoolboys, masturbating over their collective sexual experiences and fantasies.” Contrary to popular thought that sees surrealism’s views of sexuality as progressive and revolutionary, it becomes clear that most of the surrealist’s beliefs reiterated conventions of the time that objectified woman and her body as the central and concentrated object of lust and masculine desire. Masturbation and sodomy (of the female body) were acceptable but homosexuality was condemned.
At the “Researches” session the following conversation took place:
Pierre Unik: From a physical point of view I find homosexuality as disgusting as excrements and from a moral point of view I condemn it.
Raymond Queneau: It is evident to me that there is an extraordinary prejudice against homosexuality among the surrealists.
André Breton: I accuse homosexuals of confronting human tolerance with a mental and moral deficiency which tends to turn itself into a system and to paralyze every enterprise I respect.
The debate continues until Breton makes a final threat of leaving:
André Breton: Do people want me to abandon this discussion? I am quite happy to demonstrate my obscurantism on this subject.
Although there were protests from some members of the group.
Bejamin Peret: What do you think of homosexuality ?
Raymond Queneau: From what point of view? Moral?
Bejamin Peret: If you like?
Raymond Queneau: If two men love each other, I have no moral objections to their physical relations.
The session and the resulting document for surrealist records was signed by fifteen male members of the group; women and gay men associated with surrealism were absent from the proceedings. It is possible that they intentionally excluded.
“Andre Breton exemplifies the pervasive social attitude towards homosexuality in our culture, an attitude which violently suppresses and effaces homosexuals. He was obsessively anti-homosexual, and refused to include the subject of homosexuality in surrealist research, on the grounds of its moral incorrectness.”
Excerpts from Canonical Criminalizations: Homosexuality, Art History, Surrealism, and Abjection
The agency Publicis Mojo Melbourne has had UK artist and model maker Wilfrid Wood create a series of statues that were erected for around Sydney and Melbourne for “Prevent Summer Madness”, to remind people to be careful of their sun exposure (on behalf of client, Frosty Fruits ice lollies).
Statue above is called “Dave Williams”. A placard below the statue read:
“On December 12th 2006, Dave Williams of Fairfield NSW thought it’d be perfectly reasonable to wear a piece of leopard print dental floss in the company of complete strangers. Let us never forget how quickly the heat can addle our minds.”
The highest excellence is like (that of) water. The excellence
of water appears in its benefiting all things, and in its occupying,
without striving (to the contrary), the low place which all men
dislike. Hence (its way) is near to (that of) the Tao.
The excellence of a residence is in (the suitability of) the place;
that of the mind is in abysmal stillness; that of associations is in
their being with the virtuous; that of government is in its securing
good order; that of (the conduct of) affairs is in its ability; and
that of (the initiation of) any movement is in its timeliness.
And when (one with the highest excellence) does not wrangle (about
his low position), no one finds fault with him.
Excerpt from translated Tao Te Ching
The Anonymous Hugging Wall, Keetra Dean Dixon
An edition in the ongoing series METHODS & APPARATI for Social Facilitation and Mood Elevation. Published in UNTITLED 003.
China’s national television network blamed an illegal fireworks display by its employees for igniting a blaze that destroyed a futuristic 34-story luxury hotel and theater that was set to open in the Summer of 2009 by Rem Koolhaus.
Is it more interesting as a charred shell of a building? Perhaps.
Untitled from the Like Everyday Series, 2000-01, C-Print
Based in Tehran, Iran. Ghadirian has been challenging the convention role, objectification and control that Iranian women have been facing for centuries.
Watch your thoughts; they become words.
Watch your words; they become actions.
Watch your actions; they become habits.
Watch your habits; they become character.
Watch your character; it becomes your destiny.