iheartmyart is a repository for art, music and other items of interest which has been collected from around the internet. All images are either part of the public domain or owned and © by the respective holders. They are presented here for educational purposes within the “fair use” terms of US Code: Title 17, Sec. 107. If required, images can be removed by the artist upon request by email.



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Tara Donovan, Untitled, 2014. acrylic and adhesive, 10’ 1/2” x 14’ 2” x 12’ 10-3/4” (306.1 cm x 431.8 cm x 393.1 cm).
Installation at Pace Gallery - Chelsea, New York, May 10 – August 15, 2014
Photographs by Blair Prentice (iheartmyart) Tara Donovan, Untitled, 2014. acrylic and adhesive, 10’ 1/2” x 14’ 2” x 12’ 10-3/4” (306.1 cm x 431.8 cm x 393.1 cm).
Installation at Pace Gallery - Chelsea, New York, May 10 – August 15, 2014
Photographs by Blair Prentice (iheartmyart) Tara Donovan, Untitled, 2014. acrylic and adhesive, 10’ 1/2” x 14’ 2” x 12’ 10-3/4” (306.1 cm x 431.8 cm x 393.1 cm).
Installation at Pace Gallery - Chelsea, New York, May 10 – August 15, 2014
Photographs by Blair Prentice (iheartmyart)

    Tara Donovan, Untitled, 2014. acrylic and adhesive, 10’ 1/2” x 14’ 2” x 12’ 10-3/4” (306.1 cm x 431.8 cm x 393.1 cm).

    Installation at Pace Gallery - Chelsea, New York, May 10 – August 15, 2014

    Photographs by Blair Prentice (iheartmyart)

    Ganzeer, Swiss Arms, September 2012
Place: Keserne Basel, Basel, Switzerland
Description: Street mural created for Theatrefestival Basel that compares the number of deaths by gunshot in the US with the number of deaths during Egypt’s uprising. The public was invited to play the role of the “representative victims,” by laying on the ground and having their outlines traced. By presenting the “infographic” (which reveals that US victims are at least 8 times higher than Egyptian victims) alongside a quote by the Swiss Secretariat for Economic Affairs, one is left to reexamine the notion of “conflict zones.” The public was also allowed to vote on whether or not, as a result, Switzerland should ban arms exports to the United States, which in fact is one of Switzerland’s major buyers.
The execution of this project would not have been in any way possible without Mr. Daniel Kunzler who is pictured on a not so pleasant day in the last image.
Photo Credit: Barbara Jung
Read the article from the NYTimes about Ganzeer’s role as a leading artist in the protest art movement in Egypt’s struggle post-revolutionary period. Ganzeer, Swiss Arms, September 2012
Place: Keserne Basel, Basel, Switzerland
Description: Street mural created for Theatrefestival Basel that compares the number of deaths by gunshot in the US with the number of deaths during Egypt’s uprising. The public was invited to play the role of the “representative victims,” by laying on the ground and having their outlines traced. By presenting the “infographic” (which reveals that US victims are at least 8 times higher than Egyptian victims) alongside a quote by the Swiss Secretariat for Economic Affairs, one is left to reexamine the notion of “conflict zones.” The public was also allowed to vote on whether or not, as a result, Switzerland should ban arms exports to the United States, which in fact is one of Switzerland’s major buyers.
The execution of this project would not have been in any way possible without Mr. Daniel Kunzler who is pictured on a not so pleasant day in the last image.
Photo Credit: Barbara Jung
Read the article from the NYTimes about Ganzeer’s role as a leading artist in the protest art movement in Egypt’s struggle post-revolutionary period. Ganzeer, Swiss Arms, September 2012
Place: Keserne Basel, Basel, Switzerland
Description: Street mural created for Theatrefestival Basel that compares the number of deaths by gunshot in the US with the number of deaths during Egypt’s uprising. The public was invited to play the role of the “representative victims,” by laying on the ground and having their outlines traced. By presenting the “infographic” (which reveals that US victims are at least 8 times higher than Egyptian victims) alongside a quote by the Swiss Secretariat for Economic Affairs, one is left to reexamine the notion of “conflict zones.” The public was also allowed to vote on whether or not, as a result, Switzerland should ban arms exports to the United States, which in fact is one of Switzerland’s major buyers.
The execution of this project would not have been in any way possible without Mr. Daniel Kunzler who is pictured on a not so pleasant day in the last image.
Photo Credit: Barbara Jung
Read the article from the NYTimes about Ganzeer’s role as a leading artist in the protest art movement in Egypt’s struggle post-revolutionary period. Ganzeer, Swiss Arms, September 2012
Place: Keserne Basel, Basel, Switzerland
Description: Street mural created for Theatrefestival Basel that compares the number of deaths by gunshot in the US with the number of deaths during Egypt’s uprising. The public was invited to play the role of the “representative victims,” by laying on the ground and having their outlines traced. By presenting the “infographic” (which reveals that US victims are at least 8 times higher than Egyptian victims) alongside a quote by the Swiss Secretariat for Economic Affairs, one is left to reexamine the notion of “conflict zones.” The public was also allowed to vote on whether or not, as a result, Switzerland should ban arms exports to the United States, which in fact is one of Switzerland’s major buyers.
The execution of this project would not have been in any way possible without Mr. Daniel Kunzler who is pictured on a not so pleasant day in the last image.
Photo Credit: Barbara Jung
Read the article from the NYTimes about Ganzeer’s role as a leading artist in the protest art movement in Egypt’s struggle post-revolutionary period. Ganzeer, Swiss Arms, September 2012
Place: Keserne Basel, Basel, Switzerland
Description: Street mural created for Theatrefestival Basel that compares the number of deaths by gunshot in the US with the number of deaths during Egypt’s uprising. The public was invited to play the role of the “representative victims,” by laying on the ground and having their outlines traced. By presenting the “infographic” (which reveals that US victims are at least 8 times higher than Egyptian victims) alongside a quote by the Swiss Secretariat for Economic Affairs, one is left to reexamine the notion of “conflict zones.” The public was also allowed to vote on whether or not, as a result, Switzerland should ban arms exports to the United States, which in fact is one of Switzerland’s major buyers.
The execution of this project would not have been in any way possible without Mr. Daniel Kunzler who is pictured on a not so pleasant day in the last image.
Photo Credit: Barbara Jung
Read the article from the NYTimes about Ganzeer’s role as a leading artist in the protest art movement in Egypt’s struggle post-revolutionary period. Ganzeer, Swiss Arms, September 2012
Place: Keserne Basel, Basel, Switzerland
Description: Street mural created for Theatrefestival Basel that compares the number of deaths by gunshot in the US with the number of deaths during Egypt’s uprising. The public was invited to play the role of the “representative victims,” by laying on the ground and having their outlines traced. By presenting the “infographic” (which reveals that US victims are at least 8 times higher than Egyptian victims) alongside a quote by the Swiss Secretariat for Economic Affairs, one is left to reexamine the notion of “conflict zones.” The public was also allowed to vote on whether or not, as a result, Switzerland should ban arms exports to the United States, which in fact is one of Switzerland’s major buyers.
The execution of this project would not have been in any way possible without Mr. Daniel Kunzler who is pictured on a not so pleasant day in the last image.
Photo Credit: Barbara Jung
Read the article from the NYTimes about Ganzeer’s role as a leading artist in the protest art movement in Egypt’s struggle post-revolutionary period. Ganzeer, Swiss Arms, September 2012
Place: Keserne Basel, Basel, Switzerland
Description: Street mural created for Theatrefestival Basel that compares the number of deaths by gunshot in the US with the number of deaths during Egypt’s uprising. The public was invited to play the role of the “representative victims,” by laying on the ground and having their outlines traced. By presenting the “infographic” (which reveals that US victims are at least 8 times higher than Egyptian victims) alongside a quote by the Swiss Secretariat for Economic Affairs, one is left to reexamine the notion of “conflict zones.” The public was also allowed to vote on whether or not, as a result, Switzerland should ban arms exports to the United States, which in fact is one of Switzerland’s major buyers.
The execution of this project would not have been in any way possible without Mr. Daniel Kunzler who is pictured on a not so pleasant day in the last image.
Photo Credit: Barbara Jung
Read the article from the NYTimes about Ganzeer’s role as a leading artist in the protest art movement in Egypt’s struggle post-revolutionary period. Ganzeer, Swiss Arms, September 2012
Place: Keserne Basel, Basel, Switzerland
Description: Street mural created for Theatrefestival Basel that compares the number of deaths by gunshot in the US with the number of deaths during Egypt’s uprising. The public was invited to play the role of the “representative victims,” by laying on the ground and having their outlines traced. By presenting the “infographic” (which reveals that US victims are at least 8 times higher than Egyptian victims) alongside a quote by the Swiss Secretariat for Economic Affairs, one is left to reexamine the notion of “conflict zones.” The public was also allowed to vote on whether or not, as a result, Switzerland should ban arms exports to the United States, which in fact is one of Switzerland’s major buyers.
The execution of this project would not have been in any way possible without Mr. Daniel Kunzler who is pictured on a not so pleasant day in the last image.
Photo Credit: Barbara Jung
Read the article from the NYTimes about Ganzeer’s role as a leading artist in the protest art movement in Egypt’s struggle post-revolutionary period. Ganzeer, Swiss Arms, September 2012
Place: Keserne Basel, Basel, Switzerland
Description: Street mural created for Theatrefestival Basel that compares the number of deaths by gunshot in the US with the number of deaths during Egypt’s uprising. The public was invited to play the role of the “representative victims,” by laying on the ground and having their outlines traced. By presenting the “infographic” (which reveals that US victims are at least 8 times higher than Egyptian victims) alongside a quote by the Swiss Secretariat for Economic Affairs, one is left to reexamine the notion of “conflict zones.” The public was also allowed to vote on whether or not, as a result, Switzerland should ban arms exports to the United States, which in fact is one of Switzerland’s major buyers.
The execution of this project would not have been in any way possible without Mr. Daniel Kunzler who is pictured on a not so pleasant day in the last image.
Photo Credit: Barbara Jung
Read the article from the NYTimes about Ganzeer’s role as a leading artist in the protest art movement in Egypt’s struggle post-revolutionary period.

      Ganzeer, Swiss Arms, September 2012

      Place: Keserne Basel, Basel, Switzerland

      Description: Street mural created for Theatrefestival Basel that compares the number of deaths by gunshot in the US with the number of deaths during Egypt’s uprising. The public was invited to play the role of the “representative victims,” by laying on the ground and having their outlines traced. By presenting the “infographic” (which reveals that US victims are at least 8 times higher than Egyptian victims) alongside a quote by the Swiss Secretariat for Economic Affairs, one is left to reexamine the notion of “conflict zones.” The public was also allowed to vote on whether or not, as a result, Switzerland should ban arms exports to the United States, which in fact is one of Switzerland’s major buyers.

      The execution of this project would not have been in any way possible without Mr. Daniel Kunzler who is pictured on a not so pleasant day in the last image.

      Photo Credit: Barbara Jung

      Read the article from the NYTimes about Ganzeer’s role as a leading artist in the protest art movement in Egypt’s struggle post-revolutionary period.