Posts tagged art fair

Slick, the contemporary art fair dedicated to uncovering new talents, will take place from October 23rd to 26th in Paris, during the FIAC and at the CENTQUATRE, Paris’ hottest new art establishment. (via SLICK  | contemporary art fair)

Slick, the contemporary art fair dedicated to uncovering new talents, will take place from October 23rd to 26th in Paris, during the FIAC and at the CENTQUATRE, Paris’ hottest new art establishment. (via SLICK | contemporary art fair)

Are you going to any of fairs during Armory Arts Week in New York City?

If so, which ones? What are your thoughts on them? Any favorites fair(s)? Artist(s)? Artwork(s)?

  • The Armory Show, Piers 92 & 94, 12th Avenue at 55th Street, $30
  • The Art ShowPark Avenue at 67th Street, $20
  • Pulse New York, 330 West Street (corner of West Side Highway and West Houston), $20
  • Scope New York, Pavilion at Lincoln Center Damrosch Park, 62nd Street and Amsterdam Avenue, $20
  • VOLTA New York, 7 West 34th Street (between Fifth and Sixth Avenues), $15
  • Fountain New York, Pier 66 at 26th Street and West Side Highway in Hudson River Park, $10
  • Red Dot New York, Skyline Studios, 500 West 36th Street at 10th Avenue, $10
  • Verge New York, The Dylan Hotel, 52 East 41st Street (Between Madison and Park Avenues), $10
  • PooL New York, Gershwin Hotel, 27th Street and 5th Avenue, $10
  • Independent548 West 22nd Street, Free
  • Dutch Art Show, The National Arts Club, 15 Gramercy Park South, Free
  • Korean Art Show, la.venue, 608 West 28th Street, between 11th and 12th Avenue, Free

Info via Flavorwire

Daniel Ludwig, Deer Hunt, 2009, oil on linen, 70 x 90 in.
*Picture I took of the piece at the Armory Art Fair New York, 2010.

Daniel Ludwig, Deer Hunt, 2009, oil on linen, 70 x 90 in.

*Picture I took of the piece at the Armory Art Fair New York, 2010.

Quentin Garel, Art Paris, 2006

Quentin Garel, Art Paris, 2006

Here’s Our Fence Post:

Riffing off of Robert Barry’s 1969 show at Sperone gallery in Turin—which consisted of a sign announcing that the gallery was closed—Chilean-born artist Iván Navarro has caused a buzz at New York’s Armory show with an enormous neon fence on the site where his gallery, Paul Kasmin, would normally have its stand. In a venue where space is at a premium, the blocked-off area is perhaps the most exclusive site at the fair, a place no one can get in—unless, of course, you buy the piece, in which case you can presumably use it as a playpen or for any other purpose. The full fence costs $360,000, according to the gallery, but buyers can also pick up 7-foot sections for $40,000 each. Meanwhile, there are more of Navarro’s neon light sculptures—spectacular plays of mirrors and light that are modeled on the plans of skyscrapers and appear to extend to infinity—at his solo show in Kasmin’s Chelsea space, which opened last night.   (via artnewsmag)

Here’s Our Fence Post:

Riffing off of Robert Barry’s 1969 show at Sperone gallery in Turin—which consisted of a sign announcing that the gallery was closed—Chilean-born artist Iván Navarro has caused a buzz at New York’s Armory show with an enormous neon fence on the site where his gallery, Paul Kasmin, would normally have its stand. In a venue where space is at a premium, the blocked-off area is perhaps the most exclusive site at the fair, a place no one can get in—unless, of course, you buy the piece, in which case you can presumably use it as a playpen or for any other purpose. The full fence costs $360,000, according to the gallery, but buyers can also pick up 7-foot sections for $40,000 each. Meanwhile, there are more of Navarro’s neon light sculptures—spectacular plays of mirrors and light that are modeled on the plans of skyscrapers and appear to extend to infinity—at his solo show in Kasmin’s Chelsea space, which opened last night.   
(via artnewsmag)

Don’t shoot me, I’m only the player piano

The stack of paint cans and buckets in Joshua Liner’s stand at the PULSE contemporary-art fair are not particularly impressive, until the lids start moving, banging en masse in meticulously coordinated drum circle. This unlikely percussive tour de force, which the gallery variously describes as a kinetic sound installation and an “animatronic typani,” is titled True Value (paint fukette). It’s the creation of David Ellis, who programmed a composition by Roberto Carlos Lange into the piece using electronics and elements of a player piano. On Friday the fair announced that the work won Ellis the PULSE prize, given to an emerging artist. He gets $2,500 and the opportunity to design the next limited-edition PULSE tote bag. 

(via artnewsmag)