iheartmyart is a repository for art, music and other items of interest which has been collected from around the internet. All images are either part of the public domain or owned and © by the respective holders. They are presented here for educational purposes within the “fair use” terms of US Code: Title 17, Sec. 107. If required, images can be removed by the artist upon request by email.



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Chyrum Lambert
I Was Planning On Calling Home #13 (Drama And Theatrical Department), 2013, 20 x 26 inches, ink wash, oil paint, acrylic paint, rit dye, hand painted, cut, and adhered onto an 80 lb cover sheet
Long Lengths Of Linked Chain, Feet And Feet Of It, 2014, 40 x 52 inches, ink wash, acrylic paint, pencil, rit dye, wax, rust wash, hand painted, cut, and adhered onto an 80 lb cover sheet
The Helmet In 2014 / Sculpture by Henry Moore*, *Sculpture represented is The Helmet, 1939-40, bronze, 2014, 40 x 26 inches, ink wash, oil paint, pencil, acrylic paint,hand painted, cut, and adhered onto an 80 lb cover sheet
More Scenes From “The Garden”, 2014, 40 x 26 inches, ink wash, oil paint, wax, acrylic paint, pencil, rit dye, rust wash, hand painted, cut, and adhered , onto an 80 lb cover sheet
Running Water / Red Tile, 2014, 26 x 40 inches, ink wash, rit dye, wax, acrylic paint, pencil„ hand painted, cut, and adhered onto an 80 lb cover sheet
Oil In The Water, 2014, 40 x 26 inches, ink wash, acrylic paint, pencil, rit dye, hand painted, cut, and adhered onto an 80 lb cover sheet
I Was Planning On Calling Home #1 (Smear), 2013, 20 x 26 inches, ink wash, oil paint, acrylic paint, wax, rit dye, chalk, hand painted, cut, and adhered onto an 80 lb cover sheet, images posted with the permission of the artist. 
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I Was Planning On Calling Home #13 (Drama And Theatrical Department), 2013, 20 x 26 inches, ink wash, oil paint, acrylic paint, rit dye, hand painted, cut, and adhered onto an 80 lb cover sheet
Long Lengths Of Linked Chain, Feet And Feet Of It, 2014, 40 x 52 inches, ink wash, acrylic paint, pencil, rit dye, wax, rust wash, hand painted, cut, and adhered onto an 80 lb cover sheet
The Helmet In 2014 / Sculpture by Henry Moore*, *Sculpture represented is The Helmet, 1939-40, bronze, 2014, 40 x 26 inches, ink wash, oil paint, pencil, acrylic paint,hand painted, cut, and adhered onto an 80 lb cover sheet
More Scenes From “The Garden”, 2014, 40 x 26 inches, ink wash, oil paint, wax, acrylic paint, pencil, rit dye, rust wash, hand painted, cut, and adhered , onto an 80 lb cover sheet
Running Water / Red Tile, 2014, 26 x 40 inches, ink wash, rit dye, wax, acrylic paint, pencil„ hand painted, cut, and adhered onto an 80 lb cover sheet
Oil In The Water, 2014, 40 x 26 inches, ink wash, acrylic paint, pencil, rit dye, hand painted, cut, and adhered onto an 80 lb cover sheet
I Was Planning On Calling Home #1 (Smear), 2013, 20 x 26 inches, ink wash, oil paint, acrylic paint, wax, rit dye, chalk, hand painted, cut, and adhered onto an 80 lb cover sheet, images posted with the permission of the artist. 
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I Was Planning On Calling Home #13 (Drama And Theatrical Department), 2013, 20 x 26 inches, ink wash, oil paint, acrylic paint, rit dye, hand painted, cut, and adhered onto an 80 lb cover sheet
Long Lengths Of Linked Chain, Feet And Feet Of It, 2014, 40 x 52 inches, ink wash, acrylic paint, pencil, rit dye, wax, rust wash, hand painted, cut, and adhered onto an 80 lb cover sheet
The Helmet In 2014 / Sculpture by Henry Moore*, *Sculpture represented is The Helmet, 1939-40, bronze, 2014, 40 x 26 inches, ink wash, oil paint, pencil, acrylic paint,hand painted, cut, and adhered onto an 80 lb cover sheet
More Scenes From “The Garden”, 2014, 40 x 26 inches, ink wash, oil paint, wax, acrylic paint, pencil, rit dye, rust wash, hand painted, cut, and adhered , onto an 80 lb cover sheet
Running Water / Red Tile, 2014, 26 x 40 inches, ink wash, rit dye, wax, acrylic paint, pencil„ hand painted, cut, and adhered onto an 80 lb cover sheet
Oil In The Water, 2014, 40 x 26 inches, ink wash, acrylic paint, pencil, rit dye, hand painted, cut, and adhered onto an 80 lb cover sheet
I Was Planning On Calling Home #1 (Smear), 2013, 20 x 26 inches, ink wash, oil paint, acrylic paint, wax, rit dye, chalk, hand painted, cut, and adhered onto an 80 lb cover sheet, images posted with the permission of the artist. 
______
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I Was Planning On Calling Home #13 (Drama And Theatrical Department), 2013, 20 x 26 inches, ink wash, oil paint, acrylic paint, rit dye, hand painted, cut, and adhered onto an 80 lb cover sheet
Long Lengths Of Linked Chain, Feet And Feet Of It, 2014, 40 x 52 inches, ink wash, acrylic paint, pencil, rit dye, wax, rust wash, hand painted, cut, and adhered onto an 80 lb cover sheet
The Helmet In 2014 / Sculpture by Henry Moore*, *Sculpture represented is The Helmet, 1939-40, bronze, 2014, 40 x 26 inches, ink wash, oil paint, pencil, acrylic paint,hand painted, cut, and adhered onto an 80 lb cover sheet
More Scenes From “The Garden”, 2014, 40 x 26 inches, ink wash, oil paint, wax, acrylic paint, pencil, rit dye, rust wash, hand painted, cut, and adhered , onto an 80 lb cover sheet
Running Water / Red Tile, 2014, 26 x 40 inches, ink wash, rit dye, wax, acrylic paint, pencil„ hand painted, cut, and adhered onto an 80 lb cover sheet
Oil In The Water, 2014, 40 x 26 inches, ink wash, acrylic paint, pencil, rit dye, hand painted, cut, and adhered onto an 80 lb cover sheet
I Was Planning On Calling Home #1 (Smear), 2013, 20 x 26 inches, ink wash, oil paint, acrylic paint, wax, rit dye, chalk, hand painted, cut, and adhered onto an 80 lb cover sheet, images posted with the permission of the artist. 
______
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I Was Planning On Calling Home #13 (Drama And Theatrical Department), 2013, 20 x 26 inches, ink wash, oil paint, acrylic paint, rit dye, hand painted, cut, and adhered onto an 80 lb cover sheet
Long Lengths Of Linked Chain, Feet And Feet Of It, 2014, 40 x 52 inches, ink wash, acrylic paint, pencil, rit dye, wax, rust wash, hand painted, cut, and adhered onto an 80 lb cover sheet
The Helmet In 2014 / Sculpture by Henry Moore*, *Sculpture represented is The Helmet, 1939-40, bronze, 2014, 40 x 26 inches, ink wash, oil paint, pencil, acrylic paint,hand painted, cut, and adhered onto an 80 lb cover sheet
More Scenes From “The Garden”, 2014, 40 x 26 inches, ink wash, oil paint, wax, acrylic paint, pencil, rit dye, rust wash, hand painted, cut, and adhered , onto an 80 lb cover sheet
Running Water / Red Tile, 2014, 26 x 40 inches, ink wash, rit dye, wax, acrylic paint, pencil„ hand painted, cut, and adhered onto an 80 lb cover sheet
Oil In The Water, 2014, 40 x 26 inches, ink wash, acrylic paint, pencil, rit dye, hand painted, cut, and adhered onto an 80 lb cover sheet
I Was Planning On Calling Home #1 (Smear), 2013, 20 x 26 inches, ink wash, oil paint, acrylic paint, wax, rit dye, chalk, hand painted, cut, and adhered onto an 80 lb cover sheet, images posted with the permission of the artist. 
______
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I Was Planning On Calling Home #13 (Drama And Theatrical Department), 2013, 20 x 26 inches, ink wash, oil paint, acrylic paint, rit dye, hand painted, cut, and adhered onto an 80 lb cover sheet
Long Lengths Of Linked Chain, Feet And Feet Of It, 2014, 40 x 52 inches, ink wash, acrylic paint, pencil, rit dye, wax, rust wash, hand painted, cut, and adhered onto an 80 lb cover sheet
The Helmet In 2014 / Sculpture by Henry Moore*, *Sculpture represented is The Helmet, 1939-40, bronze, 2014, 40 x 26 inches, ink wash, oil paint, pencil, acrylic paint,hand painted, cut, and adhered onto an 80 lb cover sheet
More Scenes From “The Garden”, 2014, 40 x 26 inches, ink wash, oil paint, wax, acrylic paint, pencil, rit dye, rust wash, hand painted, cut, and adhered , onto an 80 lb cover sheet
Running Water / Red Tile, 2014, 26 x 40 inches, ink wash, rit dye, wax, acrylic paint, pencil„ hand painted, cut, and adhered onto an 80 lb cover sheet
Oil In The Water, 2014, 40 x 26 inches, ink wash, acrylic paint, pencil, rit dye, hand painted, cut, and adhered onto an 80 lb cover sheet
I Was Planning On Calling Home #1 (Smear), 2013, 20 x 26 inches, ink wash, oil paint, acrylic paint, wax, rit dye, chalk, hand painted, cut, and adhered onto an 80 lb cover sheet, images posted with the permission of the artist. 
______
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I Was Planning On Calling Home #13 (Drama And Theatrical Department), 2013, 20 x 26 inches, ink wash, oil paint, acrylic paint, rit dye, hand painted, cut, and adhered onto an 80 lb cover sheet
Long Lengths Of Linked Chain, Feet And Feet Of It, 2014, 40 x 52 inches, ink wash, acrylic paint, pencil, rit dye, wax, rust wash, hand painted, cut, and adhered onto an 80 lb cover sheet
The Helmet In 2014 / Sculpture by Henry Moore*, *Sculpture represented is The Helmet, 1939-40, bronze, 2014, 40 x 26 inches, ink wash, oil paint, pencil, acrylic paint,hand painted, cut, and adhered onto an 80 lb cover sheet
More Scenes From “The Garden”, 2014, 40 x 26 inches, ink wash, oil paint, wax, acrylic paint, pencil, rit dye, rust wash, hand painted, cut, and adhered , onto an 80 lb cover sheet
Running Water / Red Tile, 2014, 26 x 40 inches, ink wash, rit dye, wax, acrylic paint, pencil„ hand painted, cut, and adhered onto an 80 lb cover sheet
Oil In The Water, 2014, 40 x 26 inches, ink wash, acrylic paint, pencil, rit dye, hand painted, cut, and adhered onto an 80 lb cover sheet
I Was Planning On Calling Home #1 (Smear), 2013, 20 x 26 inches, ink wash, oil paint, acrylic paint, wax, rit dye, chalk, hand painted, cut, and adhered onto an 80 lb cover sheet, images posted with the permission of the artist. 
______
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    Chyrum Lambert

    1. I Was Planning On Calling Home #13 (Drama And Theatrical Department), 2013, 20 x 26 inches, ink wash, oil paint, acrylic paint, rit dye, hand painted, cut, and adhered onto an 80 lb cover sheet
    2. Long Lengths Of Linked Chain, Feet And Feet Of It2014, 40 x 52 inches, ink wash, acrylic paint, pencil, rit dye, wax, rust wash, hand painted, cut, and adhered onto an 80 lb cover sheet
    3. The Helmet In 2014 / Sculpture by Henry Moore*, *Sculpture represented is The Helmet, 1939-40, bronze, 2014, 40 x 26 inches, ink wash, oil paint, pencil, acrylic paint,hand painted, cut, and adhered onto an 80 lb cover sheet
    4. More Scenes From “The Garden”2014, 40 x 26 inches, ink wash, oil paint, wax, acrylic paint, pencil, rit dye, rust wash, 
      hand painted, cut, and adhered , onto an 80 lb cover sheet
    5. Running Water / Red Tile2014, 26 x 40 inches, ink wash, rit dye, wax, acrylic paint, pencil„ hand painted, cut, and adhered onto an 80 lb cover sheet
    6. Oil In The Water, 2014, 40 x 26 inches, ink wash, acrylic paint, pencil, rit dye, hand painted, cut, and adhered onto an 80 lb cover sheet
    7. I Was Planning On Calling Home #1 (Smear), 2013, 20 x 26 inches, ink wash, oil paint, acrylic paint, wax, rit dye, chalk, hand painted, cut, and adhered onto an 80 lb cover sheet, images posted with the permission of the artist. 

    ______

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    Syver Lauritzsen and Eirik Haugen Murvold, Monolitt, 2014



MONOLITT is an interactive installation that quite literally paints the mood of the city, using social media feeds as an input. The installation takes electronic signals and lets them manifest themselves in the physical world. Using sentiment analytics, the installation links tweets to corresponding colored paints in realtime, feeding them out through the top of the sculpture, letting them flow into a procedurally generated three-dimensional painting.
Syver’s Tumblr blog, syverlauritzsen, can be found here
(via prostheticknowledge)

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See more Syver Lauritzsen on iheartmyart.See more Eirik Haugen Murvold on iheartmyart.See more sculpture on iheartmyart. Syver Lauritzsen and Eirik Haugen Murvold, Monolitt, 2014



MONOLITT is an interactive installation that quite literally paints the mood of the city, using social media feeds as an input. The installation takes electronic signals and lets them manifest themselves in the physical world. Using sentiment analytics, the installation links tweets to corresponding colored paints in realtime, feeding them out through the top of the sculpture, letting them flow into a procedurally generated three-dimensional painting.
Syver’s Tumblr blog, syverlauritzsen, can be found here
(via prostheticknowledge)

______
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See more Syver Lauritzsen on iheartmyart.See more Eirik Haugen Murvold on iheartmyart.See more sculpture on iheartmyart. Syver Lauritzsen and Eirik Haugen Murvold, Monolitt, 2014



MONOLITT is an interactive installation that quite literally paints the mood of the city, using social media feeds as an input. The installation takes electronic signals and lets them manifest themselves in the physical world. Using sentiment analytics, the installation links tweets to corresponding colored paints in realtime, feeding them out through the top of the sculpture, letting them flow into a procedurally generated three-dimensional painting.
Syver’s Tumblr blog, syverlauritzsen, can be found here
(via prostheticknowledge)

______
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See more Syver Lauritzsen on iheartmyart.See more Eirik Haugen Murvold on iheartmyart.See more sculpture on iheartmyart. Syver Lauritzsen and Eirik Haugen Murvold, Monolitt, 2014



MONOLITT is an interactive installation that quite literally paints the mood of the city, using social media feeds as an input. The installation takes electronic signals and lets them manifest themselves in the physical world. Using sentiment analytics, the installation links tweets to corresponding colored paints in realtime, feeding them out through the top of the sculpture, letting them flow into a procedurally generated three-dimensional painting.
Syver’s Tumblr blog, syverlauritzsen, can be found here
(via prostheticknowledge)

______
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See more Syver Lauritzsen on iheartmyart.See more Eirik Haugen Murvold on iheartmyart.See more sculpture on iheartmyart. Syver Lauritzsen and Eirik Haugen Murvold, Monolitt, 2014



MONOLITT is an interactive installation that quite literally paints the mood of the city, using social media feeds as an input. The installation takes electronic signals and lets them manifest themselves in the physical world. Using sentiment analytics, the installation links tweets to corresponding colored paints in realtime, feeding them out through the top of the sculpture, letting them flow into a procedurally generated three-dimensional painting.
Syver’s Tumblr blog, syverlauritzsen, can be found here
(via prostheticknowledge)

______
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See more Syver Lauritzsen on iheartmyart.See more Eirik Haugen Murvold on iheartmyart.See more sculpture on iheartmyart. Syver Lauritzsen and Eirik Haugen Murvold, Monolitt, 2014



MONOLITT is an interactive installation that quite literally paints the mood of the city, using social media feeds as an input. The installation takes electronic signals and lets them manifest themselves in the physical world. Using sentiment analytics, the installation links tweets to corresponding colored paints in realtime, feeding them out through the top of the sculpture, letting them flow into a procedurally generated three-dimensional painting.
Syver’s Tumblr blog, syverlauritzsen, can be found here
(via prostheticknowledge)

______
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      Syver Lauritzsen and Eirik Haugen Murvold, Monolitt, 2014

      MONOLITT is an interactive installation that quite literally paints the mood of the city, using social media feeds as an input. The installation takes electronic signals and lets them manifest themselves in the physical world. Using sentiment analytics, the installation links tweets to corresponding colored paints in realtime, feeding them out through the top of the sculpture, letting them flow into a procedurally generated three-dimensional painting.

      Syver’s Tumblr blog, syverlauritzsen, can be found here

      (via prostheticknowledge)

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      See more sculpture on iheartmyart.

      Received my framed art pieces that I will be showing with Galerie Youn (Booth B10) at the upcoming Affordable Art Fair in NYC, September 25 - 29, 2014

      Art piece shown:
      Blair Prentice, Pillar of Freedom, 2014, gouache on paper, 12” x 24”

      Get Your Tickets at:
      http://affordableartfair.com/newyork/

      (at 269 11th Ave - The Tunnel)

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      Rob Pybus           
Blog |  Shop |  Twitter | Facebook
New Republic illustration, 2014
Spacey
Aqua Tours
Sound Installation, Illustration for Will Scrimshaw’s sound installation, images posted with permission of the artist. 
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Blog |  Shop |  Twitter | Facebook
New Republic illustration, 2014
Spacey
Aqua Tours
Sound Installation, Illustration for Will Scrimshaw’s sound installation, images posted with permission of the artist. 
______
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Blog |  Shop |  Twitter | Facebook
New Republic illustration, 2014
Spacey
Aqua Tours
Sound Installation, Illustration for Will Scrimshaw’s sound installation, images posted with permission of the artist. 
______
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Blog |  Shop |  Twitter | Facebook
New Republic illustration, 2014
Spacey
Aqua Tours
Sound Installation, Illustration for Will Scrimshaw’s sound installation, images posted with permission of the artist. 
______
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        Rob Pybus           

        Blog |  Shop |  Twitter | Facebook

        1. New Republic illustration, 2014
        2. Spacey
        3. Aqua Tours
        4. Sound Installation, Illustration for Will Scrimshaw’s sound installation, images posted with permission of the artist. 

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        Aron Wiesenfeld
New exhibition, Aron Wiesenfeld: Solstice at Arcadia Contemporary in New York, September 18 - October 3rd, 2014

Opening Reception: Thursday, September 18th from 6 to 9 pm51 Greene Street, New York
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        Aron Wiesenfeld

        New exhibition, Aron Wiesenfeld: Solstice at Arcadia Contemporary in New York, September 18 - October 3rd, 2014

        Opening Reception: Thursday, September 18th from 6 to 9 pm
        51 Greene Street, New York

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        Jinoos Taghizadeh, Rock, Paper, Scissors series, 2006, Mixed media on lenticular paper, 26.8 x 20.9 inches / 68 x 53 centimeters, image posted with permission of the AKArt.
Part of the Exhibition: PORTRAITS: REFLECTIONS BY EMERGING IRANIAN ARTISTS, Curated by Roya Khadjavi Heidari + Massoud Nader, Rogue Space Chelsea, New York, September 17th – 29th, 2014Preview: Wednesday, September 17th, 2014, 6-9 PM
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        Jinoos TaghizadehRock, Paper, Scissors series, 2006, Mixed media on lenticular paper, 26.8 x 20.9 inches / 68 x 53 centimeters, image posted with permission of the AKArt.

        Part of the Exhibition: PORTRAITS: REFLECTIONS BY EMERGING IRANIAN ARTISTS, Curated by Roya Khadjavi Heidari + Massoud Nader, Rogue Space Chelsea, New York, September 17th – 29th, 2014

        Preview:
         Wednesday, September 17th, 2014, 6-9 PM

        ______

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        Babak BidarianBoy in Passion Play, 2013, Oil on canvas, 31.5 x 39.3 inches / 80 x 100 centimeters, image posted with permission of the AKArt.

        Part of the Exhibition: PORTRAITS: REFLECTIONS BY EMERGING IRANIAN ARTISTS,Curated by Roya Khadjavi Heidari + Massoud Nader, Rogue Space Chelsea, New York, September 17th – 29th, 2014

        Preview:
         Wednesday, September 17th, 2014, 6-9 PM

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        Morteza Pourhosseini, The Circus 2 (Self Portrait), 2013, Oil and acrylic on canvas, 60 x 60 inches / 150 x 150 centimeters, image posted with permission of the AKArt.

        Part of the Exhibition: PORTRAITS: REFLECTIONS BY EMERGING IRANIAN ARTISTS,Curated by Roya Khadjavi Heidari + Massoud Nader, Rogue Space Chelsea, New York, September 17th – 29th, 2014

        Preview:
        Wednesday, September 17th, 2014, 6-9 PM

        ______

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